Research field and interests
My academic and professional experiences have focused on digital humanities and anthropology, particularly on the relationship between human perception and contemporary systems. Over the past two years, I have developed three related projects alongside experimental practices that explore vulnerable workers and female economics. In these works, technology is not simply a tool of production but also part of the research method: digital media, interactive structures, and visual systems allow me to investigate how institutional and economic conditions become perceptible, embodied, and normalised in everyday life.
Before this, I had already built an eight-year artistic practice that enabled me to work across diverse media and integrate them into a structured approach. My experiments include painting, knitting, and ceramics, as well as digital techniques such as 3D modelling, video editing, and AI-driven workflows. This foundation allows me to move between material and digital processes while maintaining a clear conceptual and analytical framework.
My artistic practice uses model-making, visual editing, animation, and experimental sound to examine the relationship between human perception and institutional structures. I am now interested in extending the practise- based research through immersive media such as VR and MR, using them not only as creative tools but also as analytical apparatuses for testing how perception can be reorganised through designed experience.
Exhibition
UWEE Louvre International Art Exhibition Beijing Parallel Exhibition | Beijing (2025)
"8 Seconds Hard Control Plan" Exhibition | Guangzhou (2024)
Royal College of Art "Media Festival" Graduation Exhibition I London (2024)
Swan Fall Gallery "Paradise" Exhibition I London (2024)
Omi Art Museum Virtual Exhibition "Inside Out" | London (2024)
Jiangsu Arts and Crafts Expo "Yibo Cup" Arts and Crafts Competition I Special Prize, Two Years of Collection